通過(guò)獨(dú)特的設(shè)計(jì)形式，良好的品牌vi規(guī)范可以吸引眼球，從而贏得更多的合作機(jī)會(huì)，讓消費(fèi)者口口相傳。一個(gè)成功的品牌vi規(guī)范不僅能體現(xiàn)企業(yè)的意義，而且能夠成為企業(yè)的無(wú)形資產(chǎn)。

品牌vi規(guī)范創(chuàng)作理念：

As is still unfortunately the case today, in the 1980s Himid saw the art world as under-representing her black peers, and organised exhibitions of their work. Her own images, too, seek to examine and challenge the way black figures have been depicted throughout art history.

This month a trio of exhibitions will showcase Himid's work, each presenting different facets of her practice. Invisible Strategies at Modern Art Oxford (21 January – 30 April 2017) is the most comprehensive of the three, boasting the artist's first major survey exhibition and drawing together paintings, sculptures, ceramics and works on paper from the 1980s to today that showcase what the gallery terms "Himid’s consistently thought-provoking and distinctive visual style."

Running alongside this show is Navigation Charts at Spike Island, Bristol (20 January – 26 March 2017), and The Place is Here at Nottingham Contemporary (4 February – 30 April 2017), which presents around 100 works by 30 black artists and collectives from the 1980s.

Alongside creating her own work, Himid is also a renowned curator, archivist and writer, and Professor of Contemporary Art at the University of Central Lancashire. It's a treat to have so many galleries around the UK celebrating her work and her impact.